Solitaire has always been known as a quiet activity — solo cards, still moments, and no conversation. It kept people company during pauses, long evenings, and stretchesSolitaire has always been known as a quiet activity — solo cards, still moments, and no conversation. It kept people company during pauses, long evenings, and stretches

Solitaire Without the Solitude by Solitaire Clash: A New Take on a Familiar Game

Solitaire has always been known as a quiet activity — solo cards, still moments, and no conversation. It kept people company during pauses, long evenings, and stretches of waiting. That simplicity is part of its charm, but it also keeps the game boxed into a very specific kind of experience.

Solitaire Clash nudges that idea forward. Without abandoning the rules or rhythm of the original card game, it reframes solitaire as something that feels shared instead of silent. That shift is captured in Solitaire Without the Solitude, a three-part mockumentary-style series that explores how solitaire has always lived alongside people — even when they played alone.

A Mockumentary Built on Dry Humor and Observation

Directed by Amir Farhang and featuring Leo González, the series uses deadpan comedy and over-the-top historical reenactments to make one simple observation: solitaire never really disappeared; it just adapted. The tone plays everything straight, even when the scenes are clearly exaggerated, inviting viewers to connect the dots without explanation.

The episodes travel through three different eras:

  • Episode 1: An 18th-century French prison, where solitaire becomes a tool for mental survival.
  • Episode 2: A 1990s office, where solitaire becomes a quiet act of resistance against workplace burnout.
  • Episode 3: A tense holiday dinner, where the game fills the uncomfortable silence.

In each situation, solitaire shows up at moments of discomfort, waiting, or emotional pressure — and in each scenario, it refuses to stay solely personal.

Where Humor Meets Real Perspective

What gives the concept weight is Leo González’s connection to the foster care community through his own family background. That personal understanding played a role in connecting AviaGames with Foster Love and helped steer the project toward authenticity instead of surface-level advertising.

That same approach shaped the Solitaire Clash Wonderland Wishes Christmas campaign, in collaboration with Foster Love. Instead of centering gameplay or promotions, the campaign focused on supporting foster youth and families during the holiday season — reflecting the series’ underlying message that connection matters more than noise.

Storytelling Without a Sales Pitch

The mockumentary avoids traditional brand storytelling. There’s no voiceover explaining the concept, no direct lessons, and no clean wrap-up. Farhang lets scenes unfold naturally, trusting viewers to understand the point. The humor lands because it reflects real life — the awkward pauses, the tension, the boredom, and the small ways people cope.

Across all three episodes, Solitaire keeps slipping into shared spaces. Solitaire Clash isn’t positioned as a reinvention — it’s more of a recognition that solitaire has always been part of communal life. People used it to get through long meetings, bad holidays, or stressful days. Now, the experience doesn’t have to be quiet or solitary.

The takeaway is subtle: solitaire doesn’t lose meaning when others are involved — it gains context. Watching the series from the beginning lets that idea build on its own.

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